{"id":3892,"date":"2026-03-26T16:01:09","date_gmt":"2026-03-26T16:01:09","guid":{"rendered":"https:\/\/saharanews.in\/2026\/03\/26\/dhurandhar-2-deepak-tijori-questions-half-muting-of-abuses-in-theatres-whats-the-logic-when-ott-versions-are-uncut-hindi-movie-news\/"},"modified":"2026-03-26T16:01:09","modified_gmt":"2026-03-26T16:01:09","slug":"dhurandhar-2-deepak-tijori-questions-half-muting-of-abuses-in-theatres-whats-the-logic-when-ott-versions-are-uncut-hindi-movie-news","status":"publish","type":"post","link":"https:\/\/saharanews.in\/?p=3892","title":{"rendered":"Dhurandhar 2: Deepak Tijori questions \u2018half-muting\u2019 of abuses in theatres: \u2018What\u2019s the logic when OTT versions are uncut?\u2019 | Hindi Movie News"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<div class=\"MwN2O\">\n<div class=\"vdo_embedd\">\n<div class=\"T22zO\">\n<section class=\"D3Wk1  clearfix id-r-component leadmedia undefined undefined  VtlfQ \" style=\"top:0px\">\n<div class=\"D3Wk1\" data-ua-type=\"1\" onclick=\"stpPgtnAndPrvntDefault(event)\">\n<div class=\"zPaFh\">\n<div class=\"wJnIp\"><img src=\"https:\/\/static.toiimg.com\/thumb\/msid-129829001,imgsize-75052,width-400,resizemode-4\/129829001.jpg\" alt=\"Dhurandhar 2: Deepak Tijori questions \u2018half-muting\u2019 of abuses in theatres: \u2018What\u2019s the logic when OTT versions are uncut?\u2019\" title=\"The buzz around Dhurandhar 2: The Revenge refuses to die down, but amid its roaring box office run, a curious debate has now taken centre stage. Actor-director Deepak Tijori has called out what he sees as a puzzling inconsistency in the way films are censored for theatrical release versus how they are later consumed on OTT platforms.\" decoding=\"async\" fetchpriority=\"high\"\/><\/div>\n<\/div>\n<\/div>\n<div class=\"cj2hz img_cptn\"><span title=\"The buzz around Dhurandhar 2: The Revenge refuses to die down, but amid its roaring box office run, a curious debate has now taken centre stage. Actor-director Deepak Tijori has called out what he sees as a puzzling inconsistency in the way films are censored for theatrical release versus how they are later consumed on OTT platforms.\">The buzz around Dhurandhar 2: The Revenge refuses to die down, but amid its roaring box office run, a curious debate has now taken centre stage. Actor-director Deepak Tijori has called out what he sees as a puzzling inconsistency in the way films are censored for theatrical release versus how they are later consumed on OTT platforms.<\/span><\/div>\n<\/section>\n<\/div><\/div>\n<\/div>\n<p>The buzz around Dhurandhar 2: The Revenge refuses to die down, but amid its roaring box office run, a curious debate has now taken centre stage. Actor-director <a href=\"https:\/\/timesofindia.indiatimes.com\/topic\/deepak-tijori\" styleobj=\"[object Object]\" class=\"\" commonstate=\"[object Object]\" frmappuse=\"1\">Deepak Tijori<\/a> has called out what he sees as a puzzling inconsistency in the way films are censored for theatrical release versus how they are later consumed on OTT platforms.<span class=\"id-r-component br\" data-pos=\"4\"\/>Taking to Instagram, Tijori shared a detailed note questioning the logic behind partially muting abusive words in theatrical versions, especially in films that are already certified for adult audiences.<span class=\"id-r-component br\" data-pos=\"6\"\/>\u201cI must admit&#8230; maybe I\u2019m missing something. Maybe I just don\u2019t have the kind of intellect that the <a href=\"https:\/\/timesofindia.indiatimes.com\/topic\/central-board-of-film-certification\" styleobj=\"[object Object]\" class=\"\" commonstate=\"[object Object]\" frmappuse=\"1\">Central Board of Film Certification<\/a> (CBFC) or its board members possess,\u201d he wrote, setting the tone for his critique.<span class=\"id-r-component br\" data-pos=\"10\"\/>He went on to add, \u201cBecause I genuinely don\u2019t understand this\u2014why mute half the abuses and let the other half stay? At places, keep some and fully mute some? Especially when the film is already certified 18+, which clearly means it\u2019s meant for adults. So who exactly are we protecting here? And from what&#8230; half a word?\u201d<span class=\"id-r-component br\" data-pos=\"12\"\/><\/p>\n<p><h2>\u2018What\u2019s the logic when OTT versions are uncut?\u2019<\/h2>\n<\/p>\n<p>Tijori further pointed out what he believes is a glaring contradiction in the system. <!-- -->Highlighting how films arrive on OTT platforms shortly after their theatrical run, he questioned the effectiveness of such censorship.<span class=\"id-r-component br\" data-pos=\"18\"\/>\u201cAnd then comes the part that really confuses me\u2014the same film, within a month or two, releases on OTT&#8230; completely unmuted&#8230; untouched&#8230; exactly as it was meant to be. And that\u2019s where kids end up watching it&#8230; at home&#8230; sitting with family&#8230; with everything fully audible,\u201d he noted.<span class=\"id-r-component br\" data-pos=\"21\"\/>\u201cSo I\u2019m just trying to understand, honestly\u2014how smart is it to \u2018half mute\u2019 something in theatres for adults, when the same thing plays out in full volume at home soon after? Maybe there\u2019s a logic here I\u2019m unable to see&#8230; or maybe, just maybe&#8230; we\u2019re overthinking the wrong things,\u201d he concluded, adding hashtags like #JustTryingToUnderstand and #CinemaLogic.<span class=\"id-r-component br\" data-pos=\"23\"\/><\/p>\n<p><h2>What changes did the CBFC suggest?<\/h2>\n<\/p>\n<p>According to certification details from the Central Board of Film Certification, Dhurandhar 2: The Revenge underwent several modifications before its release. <!-- -->Out of 21 suggested changes, four major ones involved toning down scenes of extreme violence, including sequences described as eye-smashing, beheading, and blunt-force attacks.<span class=\"id-r-component br\" data-pos=\"29\"\/>Additional tweaks included correcting demonetisation dates in subtitles and replacing \u201cLahore\u201d with \u201cDelhi\u201d in the information text.<span class=\"id-r-component br\" data-pos=\"31\"\/>The film has been granted an \u2018A\u2019 certificate and runs for 3 hours, 49 minutes and 36 seconds in India. <!-- -->Notably, the version cleared for Indian audiences is shorter than its overseas counterpart by over six minutes following the board\u2019s cuts.<span class=\"id-r-component br\" data-pos=\"35\"\/> <span class=\"id-r-component br\" data-pos=\"37\"\/><\/p>\n<div class=\"lOvcW vdo_embedd\">\n<div class=\"k7lcu\">\n<div class=\"efT4r\">\n<p><i class=\"XVSwc\"\/> <span>Watch<\/span><\/p>\n<p> <!-- -->Dhurandhar 2: The Revenge: The Untold Stories Behind The Biggest Blockbuster<\/div>\n<\/div>\n<\/div>\n<p> <span class=\"id-r-component br\" data-pos=\"40\"\/><\/p>\n<p><h2>Box office juggernaut continues<\/h2>\n<\/p>\n<p>Directed by Aditya Dhar and headlined by Ranveer Singh, Dhurandhar 2: The Revenge has been on a record-breaking spree since its release. The film, which began with paid previews on March 18, has been drawing packed houses across the country.<span class=\"id-r-component br\" data-pos=\"43\"\/>A sequel to the blockbuster Dhurandhar, the film also features a multi-starrer ensemble including Sanjay Dutt, Sara Arjun, R Madhavan, Rakesh Bedi, and Arjun Rampal.<span class=\"id-r-component br\" data-pos=\"46\"\/> <span class=\"id-r-component br\" data-pos=\"49\"\/>According to trade tracker Sacnilk, the film has collected Rs 623.42 crore net and Rs 744.58 crore gross in India within its first week. It has also performed strongly overseas, adding Rs 261.92 crore. With these numbers, the worldwide total stands at a staggering Rs 1,006.50 crore, cementing its status as one of the fastest films to cross the Rs 1,000 crore mark globally.<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/timesofindia.indiatimes.com\/entertainment\/hindi\/bollywood\/news\/amid-dhurandhar-2s-success-deepak-tijori-questions-half-muting-of-abuses-in-theatres-whats-the-logic-when-ott-versions-are-uncut\/articleshow\/129829001.cms\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The buzz around Dhurandhar 2: The Revenge refuses to die down, but amid its roaring box office run, a curious debate has now taken centre stage. Actor-director Deepak Tijori has called out what he sees as a puzzling inconsistency in the way films are censored for theatrical release versus how they are later consumed on&#8230;<\/p>\n","protected":false},"author":1,"featured_media":3893,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32],"tags":[],"class_list":["post-3892","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment"],"_links":{"self":[{"href":"https:\/\/saharanews.in\/index.php?rest_route=\/wp\/v2\/posts\/3892","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/saharanews.in\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/saharanews.in\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/saharanews.in\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/saharanews.in\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3892"}],"version-history":[{"count":0,"href":"https:\/\/saharanews.in\/index.php?rest_route=\/wp\/v2\/posts\/3892\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/saharanews.in\/index.php?rest_route=\/wp\/v2\/media\/3893"}],"wp:attachment":[{"href":"https:\/\/saharanews.in\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3892"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/saharanews.in\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3892"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/saharanews.in\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3892"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}